Leading figures in Ghana’s entertainment industry have voiced a sobering assessment: the sector’s decline is largely self-inflicted, marked by internal mismanagement and inadequate support for local talent. These revelations came to light at the annual Ghana Entertainment Industry Forum held in Accra, where stakeholders gathered to discuss the challenges and potential pathways forward.
During the forum, a range of topics were addressed, including poor infrastructure, lack of investment, and insufficient training for up-and-coming artists. Veteran filmmaker Kwame Boateng highlighted, “We often blame external factors for our woes, but we also need to look internally. There’s been a failure at many levels to modernize, innovate, and most critically, invest in the young creative talents who are the future of our industry.”
The industry, once a burgeoning beacon in West Africa known for its vibrant film and music scenes, has seen a noticeable drop in both domestic and international interest over recent years. This downturn has been exacerbated by rampant piracy, the popularity of foreign films and music, and a decreasing number of venues for local artists to showcase their work.
Music producer and panelist Esi Atta pointed out another critical issue: “We’re seeing a drain of our talent overseas due to more lucrative opportunities abroad. This is because we haven’t created an environment that rewards creativity and innovation here at home.”
The economic impact of these issues is significant. According to the forum’s report, revenue generated from the entertainment sector has fallen by 40% over the last five years. This decline not only affects the artists but also trickles down to ancillary businesses and the broader national economy.
In an effort to reverse these trends, forum participants proposed several initiatives. These include the establishment of government-backed financing options for entertainment projects, modernizing copyright laws to protect against piracy, and creating more platforms to promote local content globally.
Additionally, there was a strong call for the private sector to play a more active role in fostering the entertainment industry. “Corporate sponsorship and private investment into creative projects have been minimal,” said media consultant Akosua Adomako. “There’s a huge opportunity for private entities to step up and help make Ghana a cultural powerhouse once again.”
The forum concluded with a pledge from various stakeholders to collaborate more closely to address these challenges, with a follow-up meeting scheduled to monitor progress and accountability in the coming months.
As Ghana’s entertainment industry faces a pivotal moment, the resolve of its key players to introspect and innovate will likely determine its trajectory in the years to come.